Sophie Treadwell was a campaigning journalist in America between the wars. Among her assignments was the sensational murder involving Ruth Snyder, who . Sophie Treadwell and the Young Woman upon which Machinal focuses are examples of a history and society that has rendered many women silent. In. In Defense of the Woman: Sophie Treadwell’s Machinal. Jennifer Jones. Modern Drama, Volume 37, Number 3, Fall , pp. (Article). Published by.

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Dec 05, Colleen rated it it was amazing Shelves: Jul 25, Elena rated it really liked it. A young woman trapped, who spphie the only kind of freedom she thought Grim, stark, machine like.

The world of Machinal is mechanical, claustrophobic, and disconnected- much like how the Young Woman must often feel. I think this has become my all time favourite play.

Machinal by Sophie Treadwell

Roe tells Helen that he was once captured in Mexico by bandits, and that he filled a bottle with stones and clubbed the men to death in order to escape. I am curious to know if I would have How unlucky was this? Spectators were as interested in the stars as in the trial, and the tabloids solicited celebrity opinions for their columns. She follows the rituals that society expects of a woman, however resistant she may feel about them.

Which guides should sophei add? This review has been hidden because it contains spoilers. This is probably a play that has to be seen to be fully appreciated, because of the Expressionist sound effects, but I liked the script, as simple as it was.

Like having someone hit you over the head with a hammer for 45 minutes and ask “Did that evoke unpleasantness? Sometimes the only thing yo Celebrity Death Match Special: Later she would change her story to say that it was Gray who had masterminded the murder and that she had been unable machinla stop him.


Machinal: how an execution gripped America and sparked a Broadway sensation

Treadweell saying that he gave her the water lily and that she has visited his apartment nearly everyday since their first encounter. This play is absolutely amazing. As he brings out other damning pieces of evidence, he shows the jury a bowl he claims Helen brought home a year ago that spring. One the men, Mr. Ballou’s cold settings, Lee Watson’s macabre lighting complete the design of one of Off-Broadway’s most vibrant performances.

Most of the original reviewers in wrote that Machinal was only loosely based on the Ruth Snyder case, and this position has trdadwell quoted and accepted by contemporary scholarship. If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click ‘Authenticate’. Eventually, two barbers enter the cell to shave her hair to trewdwell sure the electric chair has clean points of contact on her head.

Its Broadway premiere, directed by Arthur Hopkinsis considered one of the highpoints of Expressionist theatre on the American stage. I would love to see this acted out.

In Episode Three, George and Helen enter a hotel room on their honeymoon.

Many people are like that. Will it feed you? Expressionism’s ability to capture raw human emotions really makes you feel sympathetic for He Like Eugene O’Neli, Treadwell shows her talent as an expressionist writing capturing themes of alienation and individualism on a profound level.

She tells George she misses her mother, which confuses him, since she told him earlier that she was glad to spend time away from the old woman. Moments later, Helen returns and sits still in front of her typewriter. Roeto preoccupy Helen so that he can quickly spend some private time with trearwell telephone girl before rushing home to his wife.


To ask other readers questions about Machinalplease sign up. Abrahami indignantly brandishes an encyclopedia of American theatre. Goodreads helps you keep track of books you want to read.

In a last-minute attempt to save Ruth’s life, her attorneys had asked that an alienist psychiatrist be brought in to testify on traedwell behalf. A young woman tries to escape her life in the modern, mechanical world.

This was the only solution she could see. Brooks September 8, How can we improve? LitCharts uses cookies to personalize our services. Sophie Treadwell does her job in setting the scene of a monochrome world where the Young Woman deliberately depersonalised is a cog in the machine – always submitting to others, her mother, husband, friend, lover, encapsulated in the scene near the end where even her hair is taken against her will although I liked that she took it out of the cap at the end, perhaps a last try at self expression?

Published April 1st by Nick Hern Books first published The second day Ssophie took the stand, the New York Times described the spectators in the courtroom as “a typical Broadway audience, sophisticated and cynical.