Camillo Sitte’s The Art of Building Cities is one of the acknowledged on city building even raises this to the status of a working principle. The work of Sitte is not exactly a criticism shape or form of each building, but the. Source: Camillo Sitte, City Planning According to Artistic Principles, trans. Today’s city builder must, before all, acquire the noble virtue of an utmost humility .

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Camillo Sitte

Without doubt they constitute an important hygienic factor, and they also afford the undeniable charm of landscape elements in the middle of a big city and, occasionally, a splendid contrast between groups of trees and architecture. It is largely due to their work that the sanitary conditions of European cities have improved so remarkably—as is apparent from mortality figures which have in vity cases been halved….

By sitting the statue away from the central axis it removes any interference with circulation, and views to the entrances and buildings.

The striving for perspective effects has obviously continued, and we could designate as the backbone of the system the broad avenue closed off in the distance by a monumental cit. An attempt should be made regardless of obstacles. This whole course of events, moreover, cannot be reversed, and consequently a large portion of the picturesque beauties we have mentioned will probably be irretrievably lost to use in contemporary planning.

This article needs additional citations for verification. Even this slight profit would be enough to justify street greenery wherever possible. Yet it is open prihciples question whether they are placed at the right spots.

The situation is much worse when streets actually cross completely Fig. View my complete profile. Pageviews from the past week.

Newer Post Older Post Home. Whoever is to be spokesman for this artistic attitude must point out that a policy of unwavering adherence to matters of transportation is erroneous, and furthermore that the demands of art do not necessarily run contrary to the dictates of modern living traffic, hygiene, etc.


Please help improve this article by adding citations to reliable sources. Just a few thoroughfares and major plazas in the centers of towns stand up under critical appraisal- -those upon which our forefathers lavished wisely, and with all means at their disposal, whatever they could muster of works of civic art. These, then, are the achievements of a system that, relentlessly condemning all artistic traditions, has restricted itself exclusively to questions of traffic.

The life of the common people has for centuries been steadily withdrawing from public squares, and especially so in recent times. Modernist movements rejected these thoughts and Le Corbusier is known for his energetic dismissals of the work. The innate conflict between the picturesque and the practical cannot be eliminated merely by talking about it; it will always be present as something intrinsic to the very nature of things.


Views Read Edit View history. Mainly an urban planning theory book, it has a deep influence in architecture, as the two disciplines are deeply intertwined. Imagining what civic life in these urban spaces must have been like in the times of Pericles, Julius Caesar, and Lorenzo the Magnificent, he reflected on how the architects and city planners of those times had designed aesthetically superior spaces reinforcing civic culture.

The book informally breaks down into three apparent sections. Certainly not the satisfaction of a spontaneous gaiety is denied to any cultural level in which building does not proceed at apparent random from day to day, but instead constructs its plans intellectually on the drawing board.

However, many of their charms are already irretrievably lost for us since they no longer harmonize with modern living. Vistas opening out along a thoroughfare, which the ancients avoided so artfully, have here been used as much as possible The traffic junction is also a junction of all lines of sight. In the light of what we have seen it is hard to believe that this very system could have conquered the world.


City Planning According to Artistic Principles

Initially Sitte outlines and documents what he perceives to be worthwhile paradigms of historical public spaces. Likewise with the vehicles aetistic from B to C only two new encounters results, and with driving directions C to A and C to B there are no new variants.

For all the magnitude his practice today has become, the study was one of modesty. With the addition of just one more street opening to such a junction, the possible vehicle encounters already total which is more than ten times the first case, and the number of crossings which disrupt traffic increases proportionately.

City Planning According to Artistic Principles |

The ideal behind this planning could be defined mathematically as a striving for the maximum of frontage line, and sihte would appear to lie the creative impulse behind the modern block system. The absence of pedestrians on so many modern gigantic streets and plazas the Ludwigstrasse in Munich, the Rathausplatz in Vienna in contrast to the crowds in the narrow alleyways of the older parts of towns, demonstrates unequivocally accogding little the matter of traffic received its due consideration in such city expansions, although supposedly everything was based on just that.

But what marvelous traffic conditions arise when more than four thoroughfares run into each other!

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